Tag Archives: Roman palace

URBAN MORPHOLOGY COURSE – ROMA TRE – LECT. 6 SPECIAL SERIAL BUILDING

 

 

 

 

 

6. lect. special serial building

SPECIAL SERIAL BUILDING (May 2026)

The base building experience  teaches us how a building organism composed of multiple cells tends over time to specialize its parts in a cyclical process that involves the progressive, organic integration of each element within the unifying framework of a structure.
Similarly, considering the aggregative organism as the result of necessary relationships between identified building types, the buildings themselves tend toward the progressive assumption of specific specialized roles, integrated within the broader context of the urban organism.
These roles have to be interpreted through a formative process consisting of successive diachronic transformations of spaces, construction structures, and even functions, synthetically and unifiedly readable as characters of specialized buildings .
The term specialized building will therefore include all the non-residential parts of the urban fabric, including those building types in which the housing function is secondary to that which gives rise to the specialization of the type. The palace (think of the 16th-century Florentine and Roman ones, for example) is an organism dedicated only secondarily to residential purposes: it is organized primarily to serve the building’s representative goal and its symbolic character. Consequently, even the overall expression of the organism only secondarily considers the values ​​attributable to residence. ………

6. lect. special serial building

LEARNED LANGUAGE / EVERYDAY LANGUAGE

Translated from  G.Strappa , Architettura come processo, Franco Angeli, Milano 2015

Chapter 5.  LEARNED LANGUAGE / EVERYDAY LANGUAGE

 

 

 

 

 

 

 

 

5a – The modern idea of a masonry language, both local and international, was born with the decline of the consolidated stereotype of a Mediterranean landscape that painters and poets had for a long time idealized in the transparent airiness of colonnades and trabeations used in basically trilithic structures, of wooden derivation.

This landscape, instead, reveals to the travelers, when the geographical and cultural barrier of Rome is overcome, its own nature of plastic, organically man-made territory. It consists of churches, monasteries, even ancient ruins, but above all of urban fabrics of great massive strength. A world of powerful walls and houses with small windows, organized in solid and continuous volumes.

The other side of classicism was also discovered: that of the large uninterrupted walls, where the openings are simple flat-arched holes that don’t interrupt their architectural continuity. Reality begins to shake off, in the European imagination, the aristocratic museum of literary representations which, on the basis of the classic tradition, had superimposed itself on the truth of the built landscape……..

click to continue reading   5. Chap. 5 Translation from -Architettura come processo-