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U+D 22-23 PATRIMONI / HERITAGES – pdf completo

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Indice_Contents

2025_anno XII_n.22/23

Editoriale_Editorial
Giuseppe Strappa
Patrimoni in trasformazione e lo spirito della Costituzione
Heritages in transformation and the spirit of the Constitution
Intertvista
Sei domande a Salvatore Settis sul consumo del patrimonio storico
Six questions to Salvatore Settis on the consumption of historical heritage (Giuseppe Strappa)
Saggi | Il paesaggio come patrimonio culturale
Essays | Landscape as cultural heritage
1| Giulia Annalinda Neglia
Paesaggi culturali e patrimonio paesaggistico: processi trasformativi
dinamici di tracce e memorie
Cultural and heritage landscapes: the dynamic, transformative processes of traces and memories
2| Giulia Annalinda Neglia
Alcune domande a Majeda Alhinai sul concetto di patrimonio e
sull’intelligenza architettonica dello spazio pubblico
Some questions to Majeda Alhinai on the concept of heritage and of the architectural intelligence of public spaces
3| Fadwa Almutlaq, Maria Letizia Garzoli, Bryan Ho
Foster + Partners e la progettazione con il patrimonio culturale nella Penisola Arabica
Foster + Partners and designing with Cultural Heritage in the Arabian Peninsula
4| Sara Protasoni
Ripensare il paesaggio come patrimonio. Il caso del bacino del Po
Rethinking Landscape as Cultural Heritage. The Case of the Po River Basin
Punti di vista_Viewpoints
1| Rosalba Belibani, Pina Ciotoli
Tracce persistenti e memoria dell’archeologia dell’acqua nel Rione Esquilino,
da Porta Maggiore fino ad Spem Veterem
Persistent Traces and Memory of the Hydraulic Archaeology of the Esquiline District, from Porta Maggiore to ad Spem Veterem
2| Alessandro Brunelli
Il territorio agrario come tutela del patrimonio urbano: il caso di Tolfa
The rural territory as urban heritage protection: the case of Tolfa
3| Sotir Dhamo
Processi territoriali e storici come valori urbani. Aulona (Vlora), Albania: dalle origini all’occupazione romana
Territorial and historical processes as values. Aulona (Vlora), Albania: from genesis to the roman occupation
4| Yassine Ouagueni
Il patrimonio, dalla cultura alla civiltà, e dalla civiltà…
Heritage, from culture to civilisation, and from civilisation…
5| Luigi Pellegrino, Graziano Testa
Il Trittico: il dettaglio che costruisce il paesaggio. Dal pensiero di Schinkel alladefinizione di un metodo
The Triptych: the detail that builds the landscape. From Schinkel’s thought to the definition of a method
6| Laura Pujia
Contesti della conoscenza: il progetto di architettura per il paesaggio culturale
Contexts of knowledge: architecture for the cultural landscape
7| Alessandro Raffa
Paesaggi di Bonifica del XX Secolo. L’Architettura dell’Ecologia Politica Fascista nell’Agro Pontino e le sue eredità
Twentieth-Century Reclaimed Landscapes. The architecture of Fascist Political Ecology in the Agro Pontino and Its Path Dependencies
8| Luca Velo, Michela Pace, Elisa Scattolin
Ecopublica. Operare il cambiamento all’interno del paesaggio in
trasformazione
Ecopublica. Operating change within the transforming landscape
Saggi | Città, architettura e patrimonio storico                                         Essays | City, architecture and historical heritage
1| Marco Maretto
La Forma della Città come Patrimonio. Tra Morfologia e Rigenerazione
Urbana
The Form of the City as Heritage. Between Urban Morphology and
Regeneration
2| Donatella Fiorani
Materiale/digitale. Strategie e strumenti per la gestione conservativa del
patrimonio storico urbano
Material/digital. Strategies and tools for the conservation management of
urban historical heritage
3| Monica Naretto
Interpretazione delle forme del patrimonio storico alle origini della
conservazione urbana. L’Italia di Charles Buls
The Interpretation of Historic Heritage Forms at the Origins of Urban Conservation: Charles Buls’ Italy

Punti di vista_Viewpoints
1| Giuseppe Canestrino, Roberta Lucente
Forme urbane in erosione. Interpretazioni sull’architettura delle fortezze “alla
moderna”, tra permanenza e impermanenza
Urban forms in erosion. Interpretations on the architecture of “alla moderna”
fortresses between permanence and impermanence
2| Andrea Crudeli
La Celebrazione della Morfologia Medievale. Dall’Archivio di Massimo Carmassi a Pisa
Celebrating Medieval Morphology. From Massimo Carmassi’s archive in Pisa
3| Nicola Delledonne
Patrimonio architettonico e memoria culturale. Questioni di progetto per il prossimo futuro
Architectural heritage and cultural memory. Design issues for the near future
4| Cecilia Maria Roberta Luschi, Alessandra Vezzi
Akko romana
Roman Akko
5| Marco Marino
Venezia, Patrimonio del Progetto Urbano Proattivo
Venice, Heritage of Proactive Urban Design
6| Manlio Michieletto, Victor Mukanya Bay
La rinascita dell’architettura tropicale a Kinshasa. Tradizione e modernità nei progetti di edifici pubblici sul Boulevard Triomphal
The Rebirth of Tropical Architecture in Kinshasa. Tradition and Modernity in the Public Building Projects on Boulevard Triomphal
7| Gianluigi Mondaini, Francesco Chiacchiera
Strati. Strategie di rigenerazione urbana. Il caso del centro di Ancona e del suo patrimonio costruito e archeologico come laboratorio “a cielo aperto”
Layers. Strategies for urban regeneration. The case of Ancona’s historic center and its built and archaeological heritage as an “open-air” laboratory
8| Rita Salamouni
Vitalità dell’abitazione a sala centrale. Il caso degli edifici ottomani e delle “case borghesi” libanesi
Vitality of the central-hall dwelling. The case of the Ottoman dwellings and the Lebanese “Bourgeois houses”
9| Guendalina Salimei, Michele Astone
Germogli Taranto. Il progetto di riuso come sistema integrato tra
architettura, città e paesaggio
Germogli Taranto. The reuse project as an integrated system linking architecture to the city and its landscape

Saggi | Eredità e avanguardia del Moderno
Essays | Legacy and avant-garde of the Modern
1| Matteo Ieva
Il patrimonio moderno: tradizione rinnovata e avanguardia riformatrice nel
contesto culturale plastico-murario ed elastico-ligneo
The modern heritage: renewed and reforming tradition in the plasticmasonry and elastic-ligneous cultural context
2| Giovanni Leoni
“Nella pasta densa del divenuto”
“In the dense paste of becoming”
Punti di vista_Viewpoints
1| Claudia Angarano
Le due città. Un progetto per Napoli
Two cities. A project for Naples
2| Luca Barontini
La Firenze Ideale nei disegni di Leonardo Savioli
The Ideal Florence in the drawings of Leonardo Savioli
3| Tommaso Berretta
La specificità del patrimonio moderno. Costruire una continuità: un caso studio
The Specificity of Modern Heritage. Building Continuity: A Case Study
4| Marco Bovati, Kevin Santus, Gerardo Semprebon
Interpretare il patrimonio materiale e immateriale attraverso la pratica
architettonica: un confronto tra due centri di comunità
Interpreting tangible and intangible heritage through architectural practice:
a comparison between two community centers
5| Camilla De Boni
Parola alle rovine. Le architetture di Ugo Colombari e Giuseppe De Boni per Massenzio
Word to the ruins. Ugo Colombari and Giuseppe De Boni’s architecture for Massenzio
6| Susanna Pisciella
Il ruolo delle crisi energetiche nella trasformazione del patrimonio costruito minore. Reinvenzione dell’abitare
The role of energy crises in the transformation of the smaller built heritage. Reinvention of dwelling
7| Higor Ribeiro da Costa, Renato Leão Rego
Il concetto di rendimento e le nuove aree urbane: una lettura brasiliana
The concept of “rendimento” and the new urban areas: a Brazilian analysis
8| Ludovico Romagni, Giulia Menzietti
Se tutto è patrimonio niente è patrimonio. La valutazione critica del passato recente
If everything is heritage nothing is heritage. The critical evaluation of the recent past
9| Marianna Sergio
Derive museografiche. Il paesaggio inciso del patrimonio rupestre del Parque Arqueológico do Vale do Côa
Beyond conservation. The resilience of the ancient for the design of the contemporary city. The case of the Roman Theater in Lisbon

Questo numero della rivista è pubblicato con il contributo della ricerca europea
Kaebup (Knowledge Alliance for Evidence-Based Urban Practices)
This issue of the journal is published with the contribution of the European research
Kaebup (Knowledge Alliance for Evidence-Based Urban Practices)

saggi e articoli

NEW HERITAGES AND THE SPIRIT OF THE CONSTITUTION

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Patrimoni in trasformazione e lo spirito
della Costituzione

EDITORIALE del N. 22-23 di U+D

di Giuseppe Strappa

When, in 1947, the Italian Constituent Assembly
addressed the problem of the new Republic
historical and artistic heritage, the statement
that the State should have, among its founding
principles, its protection of these precious
and problematic assets was not at all obvious.
It was believed, in fact, that it would not have
been useful to indicate something so obvious.
As if one were indicating, stated the Christian
Democrat Edoardo Clerici, “that in our country
we speak Italian”. And yet, the founding fathers
acted wisely, as even naming things is a choice
and in the post-fascist Italy of the time, the statement
took on a particular meaning. The principle
of attributing to the entire Republic (not to
local authorities, provinces, regions) the task of
its care, highlighted the idea of a common right,
of a shared good placed above any geographical
and political affiliation. ,,,,,,,,,,,,,

click to continue        EDITORIALE – INGLESE 22 23

Quando, nel 1947, l’Assemblea costituente affrontò il problema del patrimonio storico e artistico della nuova Repubblica, la dichiarazione che lo Stato dovesse avere, tra i suoi principi fondanti, la sua tutela di questi beni preziosi e problematici non fu affatto scontata. Si riteneva, infatti, che non sarebbe stato utile indicare una cosa tanto ovvia. Come se si indicasse , affermava il democristiano Edoardo Clerici, “che nel nostro Paese si parla italiano”. Eppure, hanno agito con saggezza i padri costituenti, perché anche nominare le cose è una scelta e nell’Italia postfascista e incerta di allora l ‘affermazione assumeva un significato particolare. Il principio di attribuire all’intera Repubblica (non agli enti locali, alle province, alle regioni) il compito della sua cura, metteva in particolare evidenza l’idea di un diritto comune, di un bene condiviso e indissolubile dalla vita dei cittadini che si poneva al di sopra di ogni appartenenza geografica e politica.

La Repubblica, recita l’art. 9 della Costituzione, tutela inoltre il paesaggio e il patrimonio storico e artistico della Nazione “anche nell’interesse delle future generazioni”.

Altra affermazione solo apparentemente scontata. Essa ci dice che l’idea di patrimonio culturale é anche il filo rosso che tiene unite nella memoria le vicende della storia, le sue tracce materiali e immateriali alle quali viene attribuito particolare valore, dando loro senso e continuità.

Fare click per continuare  EDITORIALE (5)

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Ricerca degli archetipi della Terra

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Carlo Ravagnati

In U+D Urbanform and Design  n.20 , 2023

 

Vorrei illustrare due modalità attraverso le quali ho sviluppato una serie di studi sui rapporti tra architettura e geografia. Da diversi anni dedico il mio lavoro allo studio del “doppio legame” che si è instaurato tra la crosta terrestre e le trasformazioni antropiche della crosta stessa. Pertanto illustrerò uno studio che ho condotto sull’opera incompiuta di Saverio Muratori dal titolo Studi per un’operante storia del territorio e di un lavoro analitico e progettuale applicato a un territorio francese, la Vallée du Grésivaudan. Si tratta di due tecniche di studio che ho sempre sviluppato in parallelo. ………………

per continuare a leggere            C Ravagnati

The contribution consists of two parts. The first
part contains some reflections on the structure
of Saverio Muratori’s unpublished and unfinished
research entitled Studi per un’operante
storia del territorio. What emerges from this
research is the construction of a model of the
functioning of the territory based on a composition
of complementary parts tending towards
the construction of a unitary body. This model,
referring to Ptolemy’s Geography, already enters
into crisis within the analysis itself. On this crisis,
Muratori’s experience in architecture comes to a
halt, opening up important development scenarios
on the relationship between land forms and
settlement forms. In the second part, an analytical-
design research conducted on the Vallée du
Grésivaudan is presented. In this research, the
model of land construction by parts is enriched
with a vision that links settlements to geomorphological
structure. ……………

to continue C Ravagnati

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LOCAL IDENTITIES and URBAN MORPHOLOGY RESEARCH

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ISUF Network round table organized by ISUFitaly

Torino, Castello del Valentino, Room 1V

Wednesday, June 18th (6:30 PM/7:30 PM CET)

Chair_Giuseppe Strappa, Coordinator_Alessandro Camiz

The Isuf local networks are growing in number and quality of activities. The annual reports sent by the presidents of the different associations in 2025 prove the great interest of the members in organizing new tools for the dissemination of the results of their research, and how the different investigations have dissimilar characteristics linked to the different cultural areas. The specificity of the research topic often requires dedicated tools for reading the built landscape stimulating original and innovative experimentations. Precisely for this reason, Isufitaly has organized a round table to make known and discuss, through brief presentations, the different, specific research conditions, methods, topics of the five networks in formation that will soon be added to the Isuf network family.

– Arab Network  Aliaa Al Sadaty
– Indian Network  Arathy Gopal
– North American Network Francois Racine
– Oceania Network_ Francesco Mancini
– South S. Africa Network  Michelle le Roux

isuf regional network – def

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ARCHITECTURE IN THE MAKING

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RITA SALAMOUNI

NICOLA SCARDIGNO

GIUSEPPE STRAPPA

ARCHITECTURE IN THE MAKING

Conversations on Urban Morphology and Design

Foreword by Franco Purini and Jörg Gleiter

Afterword by Matteo Ieva

SPRINGER 2025

 

FRANCO PURINI

A treatise in the form of a dialogue

When compared to the conversations one can see and hear on television programmes, the written interviews found in newspapers, magazines and books remain in the mind in a lasting way.  In fact, for many years now, the interview has become a significant, complex and widespread literary form. What is asked and the answers to the questions imprint themselves on the read­ing, forming a permanent message.

There are various ways of interviewing. One can choose the theme of biography, which recounts a life in its varied unfolding. One can ask about one’s opinions on accidental events, mistakes or posi­tive things one has done. Sometimes it is mainly asked about the context in which one lived and the influence it had on us. In other conversa­tions, the main topic is the relationship with knowledge other than the one we have chosen and cultivated. A description of our qualities is also frequent in interviews. Finally, they can have, as the focus of the discussion, the expres­sion of a theory. These are, in my opinion, the most culturally incisive ideas that presuppose communication skills as well as the ability to ex­pound one’s beliefs.

It must also be said that the difference between interview and dialogue has long since disap­peared. The “Interviste impossibili” (impossi­ble interviews) of the 1970s, together with the “Alle otto della sera” (At eight o’clock in the evening) conversations in the following period, have made the talk of two people a much more cultured discursive sphere, in which dialogue – a term that indicates a more authentic and profound encounter than a simple exchange of news and opinions – often deals with problems, orders and reasoning that go beyond entertain­ment to take the form of real lectures. Obviously, the different forms of the interview depend, to be understood as a whole, on the ques­tions asked. Those who formulate them must not only be clear and precise but also capable, like a director, of conducting the interview with great rigour. Nicola Scardigno’s and Rita Salamouni’s work in their dialogues with Giuseppe Strappa is, from the point of view of content and the rhythm of the conversation, exemplary. What is asked in the questions proposed is a progressive narrative in which the individuality of who replies gives way to a system of linked notions defining the con­sequential level of choices. The set of answers to the questions, posed with excellent logic by Giuseppe Strappa’s interlocutor, outlines a vast, precise and inspired conceptual framework. In short, this book is nothing other than a treatise on architecture proposed and articulated with wisdom and a mathematical progression, the re­sult of the long and active teaching of the Roman teacher in the capital, in Bari and in many other cities, where he brought his fruitful knowl­edge. His treatise recalls historical Platonic dia­logues, evokes Paul Valéry’s “Eupalino”, recalls the precious syntheses of Le Corbusier and the compositional magic of Mies van der Rohe, but above all follows the theoretical path that goes from Saverio Muratori to Gianfranco Caniggia.

All this to define a system of statements that do not so much confirm previous references, as list a series of current, operationally precise, ideas produced by an assiduous study of the changes that morphology and typology have undergone in recent decades.

Giuseppe Strappa, therefore, does not validate the notions of typology and morphology pres­ent in the conceptions of Saverio Muratori and Gianfranco Caniggia, but identifies a new path towards a necessary innovation of these found­ing categories.

TABLE OF CONTENTS

Foreword

A treatise in form of a dialogue – Franco Purini

Architecture as medium and expression of human freedom – Jörg Gleiter

CONVERSATIONS WITH GIUSEPPE STRAPPA

  • Introduction

Space or art of Delimitation – Nicola Scardigno

Reading the Territory – Rita Salamouni

  • Method
  • Form
  • Organism
  • Territory
  • Expression
  • Didactic
  • Contemporary condition

Afterword

Poetics of the era and formativity of architecture – Matteo Ieva